Some of them are very intriguing and some, humorous. The humor side really shows on off the wall
tracks like “Eat That Chicken” and “Moanin’ “, which in and of itself is a
serious tune, but the beginning has the band cheering on the baritone sax
player on his opening solo. Here is the
track listing for the Mingus tribute album.
Also, a lot of these songs are available in original form. I might discuss some of them in other
posts. The idea for this blog post came
basically from my posting of Stanley Clarke’s cover of “Goodbye Pork Pie Hat”,
one of Mingus’ all time classics.
Here’s the track listing for the tribute album:
1. Haitian Fight
Song
2. Gunslinging
Bird
3. Eat That
Chicken
4. Self Portrait
in Three Colors
5. Moanin’
6. Boogie Stop Shuffle
7. Nostalgia in
Times Square
8. Goodbye Pork
Pie Hat
9. Medley:
Fables of Faubus/Wednesday Night Prayer Meeting
Credited arrangers & soloists on each track:
1. Haitian Fight
Song (arr. Sy Johnson) = Boris Kozlov: bass, Alex Foster: soprano saxophone,
Randy Brecker: trumpet, John Hicks: piano, Jonathan Blake: drums
2. Gunslinging
Bird (arr. Steve Slagle) = Adam Cruz: drums, David Lee Jones: alto saxophone,
Ku-umba Frank Lacy: trombone
3. Eat That
Chicken (arr. Ronnie Cuber) = Ku-umba Frank Lacy: trombone
4. Self Portrait
In Three Colors (arr. Charles Mingus) No solos
5. Moanin’ (arr.
Sy Johnson) = Ronnie Cuber: baritone saxophone, Ryan Kisor: trumpet, Art Baron:
trombone
6. Boogie Stop
Shuffle (arr. Sy Johnson) = Ryan Kisor: trumpet, Gary Bartz: alto saxophone,
Kenny Drew Jr.: piano, Adam Cruz: drums
7. Nostalgia in
Times Square (arr. Ronnie Cuber) = Ronnie Cuber: narration, baritone saxophone:
Randy Brecker: trumpet, Kenny Drew Jr.: piano, Michael Formanek: bass
8. Goodbye Pork
Pie Hat (arr. Sy Johnson) = Seamus Blake: tenor saxophone, Boris Koslov: bass
9. Fables of
Faubus/Wednesday Night Prayer Meeting
Fables of Faubus (arr. Steve Slagle) Wednesday Night Prayer Meeting (arr. The
Mingus Big Band Workshop) = Phil Harper: trumpet & Steve Slagle: alto
saxophone
So, no, this record is not a definitive Mingus
recording. But, as a tribute to the man
and his music, it stands up well for what it is and is very enjoyable to listen
to if you are a Mingus fan or a big band jazz fan. For definitive recordings by Mingus, I
suggest fully researching him, because he was an amazing, genius bassist and
composer who brought many contributions to the jazz world.
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