Saturday, September 30, 2017

The Silhouettes "Get A Job"


Another favorite tune of yours truly.  The Silhouettes 1957 hit, "Get a Job".  Below, is the history and description of the song. 

The Silhouettes were formed in Philadelphia, Pennsylvania in 1956, at first using the name The Thunderbirds. Their classic hit "Get A Job" - originally the B-side to "I Am Lonely" - was issued by their manager Kae Williams on his own Junior Records label before being sold to the nationally distributed Ember label in late 1957. It reached number 1 on both the R&B and pop charts in U.S. and the group performed it on television's American Bandstand. The song sold more than one million copies, and was awarded a gold record.

The lyrics of "Get a Job" are notable for the depiction of a household in tension because of unemployment, despite the man's desperate attempts to find work, all delivered in a relentlessly upbeat style. A second release, "Heading for the Poorhouse", continued the economic theme. It was one of the few songs to allude to inflation, the trip to the poorhouse being because "all our money turned brown". This single and all their subsequent singles sold poorly and the group never entered the national charts again, making them a classic example of "one hit wonders".

The Silhouettes toured with Sam Cooke, Jackie Wilson, Clyde McPhatter and others but the group never reached the top of the charts again. They disbanded in 1968, but the four original members reformed the group in the 1980s and continued to work until 1993. "Get a Job" is one of the best known doo-wop songs of the 1950s. Recorded by The Silhouettes in October 1957, the song reached the number one spot on the Billboard pop and R&B singles charts in February 1958.

"When I was in the service in the early 1950s and didn't come home and go to work, my mother said 'get a job' and basically that's where the song came from," said tenor Richard Lewis, who wrote the lyrics. The four members shared the credit, jointly creating the "sha na na" and "dip dip dip dip" hooks later imitated by other doo-wop groups.

The song was recorded at Robinson Recording Laboratories in Philadelphia in October 1957. Rollie McGill played the saxophone break and the arranger was Howard Biggs. It was released on the Junior label and Doug Moody who later formed Punk/Thrash label Mystic Records brought it to Ember Records where it was licensed for national distribution. Moody then worked with Dick Clark to get the group on American Bandstand.

The Silhouettes performed the song several times on Dick Clark's American Bandstand in early 1958, the single sold more than a million copies.

The song was later featured in the soundtracks of the movies American Graffiti, Stand By Me, the end credits for Trading Places and Joey (in which the group also performed it). The revival group Sha Na Na derived their name from the song's catchy doo-wop introduction. "Get a Job" inspired a number of answer songs, including "Got a Job", the debut recording by The Miracles. In 1999, this song was parodied in a Car Body Shop commercial, prior to that the UK recruitment agency, Brook Street Bureau, used the song in their two TV commercials although they replaced "get a job" with "better job". The Brook Street commercial was devised by Saatchi and Saatchi Garland Compton and cost over £1m in 1985 It was also covered by Neil Young & Crazy Horse on their 2012 album Americana.

Friday, September 29, 2017

Art Tatum "Art's Blues"


From the 1947 film "The Fabulous Dorsey's", check out jazz pianist Art Tatum and his band playing "Art's Blues".  The band features the following lineup.  Art Tatum (piano), Tommy Dorsey (trombone), Jimmie Dorsey (clarinet), Charlie Barnet (sax), George Van Eps (guitar), Ray Bauduc (drums), Ziggy Elman (trumpet), Stuart Foster (bass).



Thursday, September 28, 2017

Johnny Jenkins "Blind Bats & Swamp Rats"


Here is the original version of "Blind Bats & Swamp Rats" as performed by Johnny Jenkins on his 1974 "Ton Ton Macoute" record.

Wednesday, September 27, 2017

record collection revisited: Gregg Allman "Laid Back"

I have a copy of the LP version of this album, in a vast record collection that is shared between myself and my brother.  Gregg Allman's first solo record, "Laid Back" from 1973, is another true masterpiece, and a complete departure from anything he was playing with the Allman Brothers at the time.

The track listing:

1. Midnight Rider
2. Queen of Hearts
3. Please Call Home
4. Don't Mess Up A Good Thing
5. These Days
6. Multi-Colored Lady
7. All My Friends
8. Will The Circle Be Unbroken?


Tuesday, September 26, 2017

Gov't Mule (feat. Charles Bradley, Eric Krasno, & The Shady Horns) "It's A Man's World"

Check out another awesome performance by the late, great Charles Bradley.  He testifies it, with Gov't Mule, Eric Krasno, and The Shady Horns on James Brown's "It's A Man's World" at the Saenger Theater in New Orleans, Louisiana, on May 2nd, 2014.


Monday, September 25, 2017

"Midnight Rider", Macon

What an amazing tribute to the one and only, Gregg Allman. Scott Sharrard performing an acoustic solo version of "Midnight Rider".

https://vimeo.com/224793133

Sunday, September 24, 2017

Eric Clapton (Live in Hyde Park) 1996


Recorded Live on 29 June 1996 in London's Hyde Park.

1. Layla
2. Badge
3. Hoochie Coochie Man
4. It Hurts Me Too
5. Wonderful Tonight
6. Five Long Years
7. Tearing Us Apart
8. Old Love
9. I'm Tore Down
10. Have You Ever Loved A Woman
11. Every Day I Have The Blues
12. Holy Mother

Personnel:

Eric Clapton – electric guitar · acoustic guitar · vocals
Dave Bronze – Bass Guitar
Steve Gadd – Drums
Andy Fairweather Low – Guitars · vocals
Jerry Portnoy – Harmonica
Chris Stainton – Keyboards
Katie Kissoon – Backing Vocals
Tessa Niles – Backing Vocals
Simon Clarke: saxophone
Roddy Lorimer: saxophone
Tim Sanders: trumpet

Saturday, September 23, 2017

In Memoriam: Charles Bradley

We've lost another music legend.  Rest In Peace, soul singer Charles Bradley, who fronted his own band, Charles Bradley & His Extraordinaires.  Here's Charles absolutely testifying it, with Tedeschi Trucks Band on James Brown's "Please, Please, Please" at a show on September 26th, 2015, at the Beacon Theater in New York City.  On that night, Bradley and the Extraordinaires were the opening act for Tedeschi Trucks Band.


Friday, September 22, 2017

The Hour Glass "Nothing But Tears"

Check out this track recorded by The Hour Glass (one of Gregg and Duane Allman's early bands), recorded in either 1967 or '68.  The tune is called "Nothing But Tears".  The band lineup for The Hourglass originally was:

Duane Allman: guitar, electric sitar, vocals
Gregg Allman: organ, piano, guitar, vocals
Paul Hornsby: piano, organ, guitar, vocals
Johnny Sandlin: drums, guitar, gong
Mabron McKinney: bass
Bob Keller: bass
Pete Carr: bass, guitar, vocals

There was a rotating lineup of other players besides Duane, Gregg, and Paul, when this band happened, being pre-Allman Brothers Band.


Thursday, September 21, 2017

Ron Wood, Rod Stewart, & Keith Richards "I Can Feel The Fire"

From July 14th, 1974, a performance by a band that would become known as The New Barbarians, featuring Ron Wood, Rod Stewart, Keith Richards, and Ian McLagan.  This is "I Can Feel The Fire".


Wednesday, September 20, 2017

In Memoriam: Johnny Sandlin

We remember another great musical figure, that had a major impact on both Gregg Allman, and the Allman Brothers Band.  Rest In Peace, Johnny Sandlin.  He was a drummer, and record producer, who worked not only with Gregg Allman and the Allman Brothers, but a myriad of other artists.  He was also an inductee into the Alabama Music Hall of Fame.  Sandlin was born and grew up in Decatur, Alabama.  Here are the artists (among others), he worked with, also mentioned in the Decatur Daily article.

Sandlin produced albums for:

Widespread Panic
The Allman Brothers Band
Gregg Allman
Wet Willie
Col. Bruce Hampton & The Aquarium Rescue Unit
Chuck Leavell
The Decoys
Microwave Dave & The Nukes
Delbert McClinton
Dan Penn
Cowboy
Jerry Reed
Elvin Bishop
Jimmy Hall

http://www.decaturdaily.com/news/morgan_county/decatur/alabama-music-hall-of-fame-member-johnny-sandlin-of-decatur/article_38d53abd-7dd1-5030-ad1f-811f63cb38ba.html


Tuesday, September 19, 2017

Big Head Todd & The Monsters "Broken Hearted Savior"


From a performance at Red Rocks in Morrison, Colorado, in 2008, here is another favorite band of yours truly.  Have had a chance to see Big Head Todd & The Monsters open for Buddy Guy and Jonny Lang, as well as the BoDeans, both at the Minnesota State Fair in 2008 and 2010 respectively.  In both of those sets, they played this tune.  One of their best.  "Broken Hearted Savior".  Dig it.


Monday, September 18, 2017

Percy Sledge "Out of Left Field"

Percy Sledge's original recording of the soul song "Out of Left Field" written by the great songwriting tag team of Spooner Oldham and Dan Penn.


Sunday, September 17, 2017

Gregg Allman Says Goodbye

Those closest to him reflect on the making of the late legend's final album - and on his final days.  Warning, you may need a tissue or two when you are reading this.

http://gardenandgun.com/feature/gregg-allman-says-goodbye/


Saturday, September 16, 2017

Gregg Allman's final record: "Southern Blood"

A few words, about Gregg Allman's "Southern Blood" record, and what he, and the Allman Brothers Band, mean to me, just as I posted them, on social media.

***

Just received my copy of "Southern Blood" in the mail today, and spent some time listening to it all the way through. An absolute masterpiece. Gregg's music, both with the Allman Brothers, and in his solo career, has put a profound stamp on who I am, and I had the chance to see him perform, several times, within a span of about a dozen years including four times with the Allman Brothers and once with his solo band. Hard to put into words the emotions that come from listening to this record. I think the most vivid images are of those times I saw him perform. Memories of each of the five occasions come back, crystal clear, in my mind's eye, whether it was a couple of Allman Brothers shows at the Minnesota State Fair, two more at the 2014 Peach Music Festival in Scranton, Pennsylvania, or seeing Gregg with his phenomenal solo band that is on the album, in 2015 at the Pantages Theater in St. Paul. The music, and the memories will live on forever, and the Allman Brothers Band, and their music, will live forever in my heart.

***

The track listing for "Southern Blood", just as it was in the album preview posted a few weeks ago.

1. My Only True Friend
2. Once I Was
3. Going Going Gone
4. Black Muddy River
5. I Love The Life I Live
6. Willin'
7. Blind Bats And Swamp Rats
8. Out of Left Field
9. Love Like Kerosene
10. Song For Adam (feat. Jackson Browne: harmony vocals)

As a final note, many of these songs were significant to Gregg knowing that his time on earth would be growing shorter every day as this record was being made.  The two original songs are "My Only True Friend", which in many ways, is Gregg's epitaph, and "Love Like Kerosene", written by his guitarist and Musical Director, Scott Sharrard.  Artists who wrote these other pieces chosen for the record include Tim Buckley, Bob Dylan, Jerry Garcia & Robert Hunter (the Grateful Dead), Willie Dixon, Lowell George (Little Feat), Jack Avery, Spooner Oldham & Dan Penn, as well as Jackson Browne.

There is a bonus DVD on some of the versions of this record, which is a half hour profile into the making of the recording, with producer Don Was, and Scott Sharrard, that gives an in depth and glorious look into the recording process of what would turn out to be the final masterpiece, the cornerstone, of a career and a life, of a great musician, who for 50 years, thrilled fans, whether with the Allman Brothers Band, or, his solo group in it's various incarnations.  I have written a lot about the fact that the Allman Brothers Band, have been one of my biggest inspirations, and though it's true that now Gregg and Duane are no longer with us, their music will live on forever.

Rest In Peace, Duane and Gregg Allman.  Two brothers, reunited, in rock & roll heaven.


Friday, September 15, 2017

Lyle Mays & Pat Metheny "September Fifteenth"

From their "As Falls Wichita, So Falls Wichita Falls" record, a tribute to the late, great jazz pianist, Bill Evans, "September 15th", in reference to Evans' passing on this date, 36 years ago, in 1981.  Rest In Peace, Bill Evans.  This is a lovely piece of music.


Thursday, September 14, 2017

John McLaughlin and The 4th Dimension "Sanctuary"

From the new record "Live at Ronnie Scott's" being released, here is John McLaughlin & The 4th Dimension with "Sanctuary".


You can purchase the record, in a digital or physical copy, HERE.
https://mahavishnujohnmclaughlin.bandcamp.com/album/live-at-ronnie-scotts


Wednesday, September 13, 2017

Dave Holland & Steve Coleman "In Brief"

The duo of Dave Holland on upright bass, and Steve Coleman on alto saxophone, plays the tune "In Brief" from the album "Phase Space", recorded in 1991, and released, three years later, in 1994.


Tuesday, September 12, 2017

Stan Getz Quartet Live @ Montreux, 1972

Check out Stan Getz's performance at the 1972 Montreux Jazz Festival, featuring his quartet, which has quite the lineup.  Stan on tenor saxophone, along with Chick Corea on Rhodes piano, Stanley Clarke on upright bass, and Tony Williams on drums.  The set opens with Chick Corea's composition "Captain Marvel".  This recording is indeed available on CD.  If you wish to check it out, look for "Live at Montreux 1972" as an import.  The track listing is:

1. Captain Marvel
2. Day Waves
3. Lush Life
4. Windows
5. I Remember Clifford
6. La Fiesta
7. Time's Lie

Click the link to watch video of the performance, and enjoy.

http://www.dailymotion.com/video/x36a2oy




Monday, September 11, 2017

Idris Muhammad "Peace of Mind"

From 1974, here is jazz artist Idris Muhammad with his composition "Peace of Mind", featuring a great lineup of musicians including Grover Washington Jr. on soprano saxophone, Randy Brecker on trumpet, Bob James on keys, Joe Beck on guitar, Gary King on bass, and Ralph MacDonald on drums and percussion.


Sunday, September 10, 2017

Chick Corea Trio "Humpty Dumpty"

Chick Corea Akoustic Band is Chick Corea on acoustic grand piano, John Patitucci on acoustic bass and Vinnie Colaiuta on drums performing Humpty Dumpty. The jazz classic is originally from Chick Corea's 1978 album The Mad Hatter. Very fine individual piano, bass and drum solos (5:56) are included. Chick Corea New Akoustic Band was live in concert at The Blue Note, Tokyo, Japan in November, 1992.


Saturday, September 9, 2017

Scott Sharrard & The Brickyard Band

Check out Scott Sharrard, who played guitar with the late, great, Gregg Allman in Gregg's solo band, with Sharrard's own group.  This is a great quartet.  Scott Sharrard & The Brickyard Band.  Here they perform at a venue called The Egremont Barn.  Something else worth sharing, are Scott's reflections on the late, great, Gregg Allman, as penned by writer Alan Paul.

Scott Sharrard goes deep about Gregg Allman's Southern Blood

http://alanpaul.net/2017/09/scott-sharrard-goes-deep-about-gregg-allmans-southern-blood/


Friday, September 8, 2017

Gregg Allman "I Love The Life I Live"

Released today, Gregg Allman's final studio record, "Southern Blood", as you have heard on this blog from another post that linked to the album, here's Allman's take on Muddy Waters' blues chestnut, "I Love The Life I Live".











Wednesday, September 6, 2017

Final Step Live at Estival Jazz, Switzerland 2017

Check out Italian jazz fusion band Final Step and their performance at the 2017 Swiss Jazz Festival.

The band lineup is:

Matteo Finali - guitar
Fabio Buonarota - trumpet
Mirko Roccato - saxophones
Gabriele Pezzoli - keys
Alessandro Ponti - Hammond
Francesca Morandi - bass
Dario Milan - drums
Silvano de Tomaso - percussion


Tuesday, September 5, 2017

Dickey Betts Band - 1988 Lonestar Roadhouse NY

Check out audio of a performance by the Dickey Betts Band at Lonestar Roadhouse in New York, New York on January 11th, 1988.  Special guests at the end of the show, for the encores include the late, great Jack Bruce on bass, as well as Mick Taylor and Rick Derringer on guitars.  Here are the details and the set list.

Dickey Betts Band Lonestar Roadhouse, New York, NY 1988-01-11 fm, sq: EX

Dickey Betts - Guitar, Vocals
Warren Haynes - Guitar, Vocals
Johnny Neel - Keyboards, Harmonica, Vocals
Marty Privette - Bass 
Matt Abts - Drums

1. Rock Bottom
2. Blue Sky
3. Time To Roll
4. Duane's Tune
5. The Blues Ain't Nothing
6. Far Cry
7. Heartbreak Line
8. In Memory of Elizabeth Reed
9. Loverman
10. Jessica
11. Under The Guns of Love
12. Statesboro Blues (feat. Rick Derringer: guitar & vocals)
13. One Way Out (feat. Rick Derringer: guitar & vocals)
14. Rock 'n' Roll Hoochie Koo (feat. Rick Derringer: guitar & vocals)
15. Spoonful (feat. Jack Bruce: bass, & Mick Taylor: guitar)

Encore:

16. Southbound (feat. Jack Bruce: bass, & Mick Taylor: guitar)

Monday, September 4, 2017

In Memoriam: Walter Becker

We remember another great who has left the earth and has joined the angel band.  Rest In Peace, co-founder and guitarist of Steely Dan, Walter Becker.  Yours truly has seen Steely Dan play, twice, and both of those shows were indeed memories that will be held forever.  Here is a tribute from Rolling Stone magazine, including videos of some of their biggest songs such as "Reelin' In The Years", "Peg", and "Black Friday".

http://www.rollingstone.com/music/news/walter-becker-steely-dan-co-founder-dead-at-67-w500956

One from Ultimate Classic Rock.

http://ultimateclassicrock.com/donald-fagen-walter-becker-tribute/?trackback=fbshare_top_flat_3

...and, one from NPR Music's, the record.

Walter Becker Was A Master of Musical Understatement

http://www.npr.org/sections/therecord/2017/09/04/548384628/walter-becker-was-a-master-of-musical-understatement?utm_source=facebook.com&utm_medium=social&utm_campaign=npr&utm_term=nprnews&utm_content=20170904

Plus, a bonus tribute from legendary guitarist of Allman Brothers Band and Gov't Mule fame, Warren Haynes.

Warren Haynes Writes Tribute To Walter Becker
https://www.jambase.com/article/warren-haynes-writes-tribute-walter-becker

We remember Walter, with a great Steely Dan song.  Check out "Pretzel Logic", the title track to an album by the same name released in 1974.

Rest In Peace, Walter Becker. 

An addendum to this post.  Here is a version of "Pretzel Logic" featuring Steve Winwood on Hammond organ, from a show at Wembley Arena in London, in February, 2019.

Sunday, September 3, 2017

Tedeschi Trucks Band - "Dark End of the Street" (with John Bell)

Tedeschi Trucks Band and special guest John Bell (from Widespread Panic), rehearse Dark End of the Street backstage at Red Rocks Amphitheatre, 2017.  Filmed, recorded and mixed by Marc Lowenstein.

Saturday, September 2, 2017

Take a Slow Ride: Foghat jams at the Minnesota State Fair Leinie Lodge Bandshell

British/American boogie blues rockers Foghat opened a two night doubleheader at the Minnesota State Fair's Leinie Lodge Bandshell (sponsored by the Leinenkugel Brewing Company), Friday night, celebrating the 40th anniversary of their live album that appeared first in 1977, while covering material from most of the catalog that made them well known in the 1970s with their hybrid British/American blues rock.  Drummer Roger Earl has been a constant in the group since their founding in 1970, and since then they have had many legendary players, most notably the late rhythm guitarist and singer "Lonesome" Dave Peverett, and slide guitar wizard, Rod Price.

Their latest lineup has been solidly in place since 2000 with Charlie Huhn on vocals and rhythm guitar, Bryan Bassett on lead and slide guitar, Craig McGregor on bass (since 2005), and original drummer, Roger Earl, who did a drum solo towards the end of the Friday night performance that left the crowd wanting more.  Foghat's songs are an ode to the blues, but also to good time rock and roll.  Despite their pedigree really coming through airplay on classic rock radio, they can still boogie on a blues standard, and Friday night, they proved that, covering two major blues standards, Big Joe Turner's "Honey Hush", and Elmore James' "It Hurts Me Too", mid set.

"Honey Hush" was turned into an uptempo romp while "It Hurts Me Too", retained it's standard 12 bar boogie.  Fans of the band also recognized the songs that were placed before some of the more obscure blues nuggets.  Rock & rollers such as the opener, "Fool For The City", "Stone Blue", and another blues standard from their repertoire, Willie Dixon's "I Just Want To Make Love To You".  The sparks flew, with Bryan Bassett's slide guitar playing... searing, howling, raunchy, and a trademark of Foghat's sound, as well as an ode to the aforementioned late great Rod Price, the band's original bandit with the bottleneck.

Huhn's vocals provided nearly as much fire as Bassett's guitar, and Roger Earl's drumming, including a drum solo in the middle, was rock solid the entire gig.  So, while the lineups may have changed over the years, the music... genuine, put on your dancing shoes, bluesy boogie rock, has stayed the same, definitely giving Foghat staying power, that they've had for over 45 years.

1. Fool For The City
2. Drivin' Wheel
3. Stone Blue
4. Hot Mama
5. Honey Hush (Big Joe Turner cover)
6. It Hurts Me Too (Elmore James cover)
7. I Just Wanna Make Love To You
8. Slow Ride






Friday, September 1, 2017

Grover Washington Jr. with Pieces Of A Dream live in Tokyo on September 1, 1983


The video title and the post title say it all.  Check out the late, great Grover Washington Jr., once again, performing with Pieces of A Dream in Tokyo, Japan at Aurex Jazz Festival '83, on September 1st, 1983.  34 years ago, today.  At the start of the show, Grover Washington Jr. introduces the band.  Here's the lineup.

Grover Washington Jr.: tenor, alto, & soprano saxophones, percussion

Pieces of A Dream

Keyboards (piano, Rhodes piano, synthesizer): James Lloyd
Guitar: Richard Steacker
Drums: Darryl Washington
Percussion: Dr. Leonard Gibbs
Percussion: Curtis Harmon
Bass: Cedric Napoleon
Keyboards/Synthesizers: Dexter Wanzel