At the Munch Museum - Oslo - Norway July 18, 1976. One For Amos (Jones) featuring Billy Higgins- Drums, Sam Jones- Bass, Cedar Walton- Piano and Clifford Jordan- Tenor Saxophone
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I recorded this from TV in VHS format when it first aired.
I met Leon and Glen at the studio that morning on November 18, 1983.
Songs include:
0:45 I Saw the Light
2:14 Gentle on My Mind
5:46 Heartbreak Hotel
9:07 They Still Dance to Waltzes in England
11:32 Rollin' in My Sweet Baby's Arms
12:37 Jambalaya
15:16 A Song for You
20:44 Southern Nights
25:46 You've Lost That Lovin' Feelin'
28:08 I Don't Mind
29:54 Crying
31:23 You Don't Know Me
35:05 I Don't Care What Mama Don't Allow
38:32 Lady Blue
42:01 You're Trying to Make a Fool Out of Me
43:36 Rhinestone Cowboy
Thanks to recording engineer Doug McClement for the following information on the band members.
"The band was made up of Toronto session musicians
Bass: Rick Homme
Guitar: Bob Mann
Drums: Terry Clarke (who just celebrated his 78th birthday last week) he's still an A level session drummer in town. https://en.wikipedia.org/wiki/Terry_C...)
Synth: My longtime friend Lou Pomanti, still a major keyboardist and band arranger here in T.O. He has an amazing r&b horn band called "Oakland Stroke." • Oakland Stroke "Spinning Wheel" feat....
The Musical Director of the series was the late Bobby Edwards, and Camera Director was the late Ron Meraska.
The exec producer who put together all the amazing pairs of musicians for the 26 episodes of 'In Session' was the late Ian Milne Anderson."
I do not own the music or video used in this compilation - "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
Aurex Jazz Fest '80, Budokan, Tokyo, Japan, Sept. 2, 1980
Robben Ford (guitar) Freddie Hubbard (tp) Randy Brecker (tp) Michael Brecker (ts) Joe Farrell (ts) Joe Henderson (ts) George Duke (keyboards) Alphonso Johnson (bass) Peter Erskine (drums)
Aurex Jazz Fest '80, Yokohama Stadium, Japan, Sept. 7, 1980
Robben Ford (guitar) Freddie Hubbard (tp) Randy Brecker (tp) Michael Brecker (ts) Joe Farrell (ts) Joe Henderson (ts) George Duke (keyboards) Alphonso Johnson (bass) Peter Erskine (drums)
Remembering two blues guitar legends, B.B. King, and Gary Moore, and a performance they did together playing B.B. King's signature tune "The Thrill Is Gone". Not much more is known about this specific performance, but is a great one. Enjoy.
This week's Sunday Special features a modern lineup of Count Basie's famous orchestra from a 2013 performance at the Blue Note in Tokyo, Japan. Watch the video via YouTube.
September 7, 2013, at the Blue Note Tokyo, Japan.
The lineup of the Count Basie Orchestra for this show includes:
Rhythm Section:
Bobby Floyd: piano
Will Matthews: guitar
Marcus McLaurine: bass
Butch Miles: drums, co-host
Horn section:
Trumpets: Bruce Harris, Shawn Edmonds, Mike Williams, & Scotty Barnhart
Bass Trombone: Mark Williams
Trombones: Alvin Walker, Dave Keim, & Clarence Banks
Saxophones: Baritone: Frank Basile, Tenor: Doug Miller & Doug Lawrence, Alto: Cleave Guyton & Marshall McDonald
His New Standards band, from '97, with Michael Brecker, John Scofield, Dave Holland, Jack DeJohnette and Don Alias. Excerpt from Sade's Love is Stronger Than Pride.
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We fondly remember Forrest Richard "Dickey" Betts, one of the founding members of the Allman Brothers Band and one of the greatest guitarists of all-time. Betts passed away at age 80 after complications with chronic obstructive pulmonary disease and cancer. He will be greatly missed by music fans and guitar players everywhere. Here is the Billboard magazine obituary.
Here is Dickey's most famous contribution to the Allman Brothers Band's song catalog. "Ramblin' Man", released on their 1973 #1 record "Brothers & Sisters".
From a live concert in 1980, here are The Brecker Brothers, featuring Michael Brecker on tenor saxophone and Randy Brecker on trumpet, among other great musicians in their band, playing "Funky Sea, Funky Dew". If you refer back to the video, I posted a long while ago of the tune "Tee'd Off" that will give you an idea of the full band which also includes the rhythm section of guitarist Barry Finnerty, bassist Neil Jason, keyboardist Mark Gray, and drummer Richie Morales. I think that is the same lineup for this show.
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Whisper Not (Golson). Benny Golson, tenor saxophone; Freddie Hubbard, flugelhorn; Mulgrew Miller on piano, Ron Carter on bass and Marvin Smitty Smith, on drums.
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The second Jazz TV series in LA, Frankly Jazz on KTLA, debuted in August of 1962, hosted by affable Frank Evans. The Gerald Wilson Big Band was one the show's guests and here, they play the Wilson original, "Blues of Yna Yna."
Frankly Jazz: https://jazzresearch.com/frankly-jazz/ and search on YouTube for more video from the TV show.
Just One of Those Things (Porter) Erroll Garner: Piano; Eddie Calhoun: Bass;
Kelly Martin: Drums. BBC 1964
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Erroll Garner was an immensely important figure in the world of jazz music, primarily due to his distinctive playing style and contributions to the genre.
Garner was known for his unorthodox playing style. He played with an orchestral approach, often sounding like multiple pianists at once. His ability to play lush, intricate chords with his left hand while simultaneously crafting melodic and rhythmic improvisations with his right hand was exceptional.
Mr. Garner was also a prolific composer. His most famous composition, "Misty," has become a jazz standard, covered by countless artists in various genres. This piece alone has had a lasting impact on jazz and popular music.
Garner influenced not only pianists but also a broad spectrum of jazz musicians. His approach to rhythm, particularly his use of off-beat phrasing and his ability to swing, was highly influential.
Remarkably, Errol Garner was largely self-taught and did not read music. This fact underscores his natural talent and intuitive understanding of jazz and piano playing.
As an African American artist achieving prominence in the mid-20th century, Garner helped break down racial barriers in the music industry. He gained significant popularity and respect at a time when segregation and racial discrimination were rampant.
Garner's recordings, such as the critically acclaimed concert album "Concert by the Sea," are considered classics. His ability to bring studio-like quality to live performances was unparalleled.
Errol Garner's music continues to be celebrated and studied. His approach to jazz piano remains a benchmark for aspiring jazz musicians, and his recordings are cherished by jazz enthusiasts worldwide.
Erroll Garner's innovation in jazz piano playing, his compositions, and his influence on both contemporaries and future generations of musicians make him an important figure in the history of jazz music.
Today's Sunday Special is Michael Brecker's tenor sax solo with wah pedal, on The Brecker Brothers' "Sneakin' Up Behind You". This performance was a part of The Brecker Brothers' concert at the 1976 Newport Jazz Festival on June 30th, 1976. The band lineup for The Brecker Brothers is:
Randy Brecker: Trumpet Michael Brecker: Tenor Hiram Bullock: Guitar Don Grolnick: Keyboards Sammy Figueroa: Percussion Will Lee: Bass Chris Parker: Drums
From Bret "Jazz Video Guy" Primack. Full Concert Friday this week featuring Miles Davis live in Norway in 1971.
Set List
Directions
Honky Tonk
What I Say
Sanctuary
It's About That Time
Yesternow
Honky Tonk
Funky Tonk
Sanctuary (closing theme)
It was during this 1971 tour that included a concert in Oslo, Norway, that Keith Jarrett recorded his first solo piano record, Facing You, on ECM Records.
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From the Reelin' in The Years Archive, another version of the cover of Dr. John's "I Walk on Gilded Splinters" by Humble Pie with guitarist and vocalist Steve Marriott and guitarist Peter Frampton.
From a performance at the DelFest Grandstand Stage on May 28th, 2017, here is Billy Strings and Bryan Sutton playing "Freeborn Man". Great bluegrass guitar picking here, everyone. The band is Billy Strings (real name William Apostol) on guitar, Drew Matulich on mandolin, Billy Failing on banjo, and Royal Masat on bass.
Happy Birthday to the one and the only, Warren Haynes. Experience the magic of Warren Haynes Presents: Christmas Jam as Gov't Mule, joined by special guests John Osborne from Brothers Osborne and Rob Barraco from Phil Lesh & Friends, deliver an unforgettable rendition of the timeless Allman Brothers classic, 'Blue Sky.'
From his 2015 CD/DVD release "Muddy Wolf at Red Rocks" paying tribute to two of the greatest blues legends ever, McKinley Morganfield (a.k.a. Muddy Waters), and Chester Arthur "Howlin' Wolf" Burnett, here is Bonamassa's cover of Willie Dixon's blues tune, originally performed by Howlin' Wolf, and later by Cream, with Eric Clapton, Jack Bruce, and Ginger Baker, "Spoonful".
The rock and roll band, Free, and their late, great guitarist, Paul Kossoff, playing their tune "Mr. Big" at the 1970 Isle of Wight Festival in England. Check it out.
"Possum" → "Philly ’97 Jam" → "Prince Caspian" (12/3/97) from The Spectrum '97, an all new 6-CD Box Set from Phish. Order today at https://dry.gd/spectrum97. In Stores March 15. The Spectrum ‘97 is a complete two-show show box set recorded live 12/2/97 + 12/3/97 at The Spectrum in Philadelphia, PA. Mixed from the band’s multitracks and mastered. Capturing the band at this classic venue during their Fall Tour ‘97 apex, The Spectrum ’97 celebrates a standout run across 33 songs, and features a Soundcheck Bonus. The Spectrum ‘97 was recorded live by Paul Languedoc, mixed from multitrack by Jon Altschiller, and mastered by Fred Kevorkian.
Awesome live performance of Gambale and his new All-Star group of "Have You Met Tom Jones?" from his Natural High album.
Frank played on borrowed guitars because his guitar never made it thanks to Lufthansa "Special Handling". As yet his guitars are still not returned. This explains why he is playing a guitar that is not his own. Didn't appear to slow him down much!
Revisiting a song I have shared many times on the blog as it is a staple of the Phish catalogue. Step into the freezer, and check out Phish's performance of "Tweezer" from their July 15th, 2023 gig at the Ameris Bank Amphitheater in Alpharetta, Georgia.
Another Sunday Special post this week featuring Phish playing "Gumbo" at their December 3rd, 1997 show at The Spectrum in Philadelphia, Pennsylvania.
"Gumbo" (12/3/97) from The Spectrum '97, an all new 6-CD Box Set from Phish. Order today at https://dry.gd/spectrum97. In Stores March 15. The Spectrum ‘97 is a complete two-show show box set recorded live 12/2/97 + 12/3/97 at The Spectrum in Philadelphia, PA. Mixed from the band’s multitracks and mastered. Capturing the band at this classic venue during their Fall Tour ‘97 apex, The Spectrum ’97 celebrates a standout run across 33 songs, and features a Soundcheck Bonus. The Spectrum ‘97 was recorded live by Paul Languedoc, mixed from multitrack by Jon Altschiller, and mastered by Fred Kevorkian.
From 1975 on an episode of "Soul Train", B.B. King, Bobby "Blue" Bland, and the one and the only James Brown, play the blues, with a medley of "Goin' Down Slow", "Gambler's Blues", "It's My Own Fault", and "I'm Sorry". Check it out.
Widespread Panic performs "I Walk on Gilded Splinters" → "Cream Puff War" with Ivan Neville, live at UNO Lakefront Arena in New Orleans, LA on November 2, 2019.
"Ghost" from Phish's 10/13/2023 show at The United Center, Chicago, IL. This follows up the recently posted funky version of this song in a medley with their tune "Divided Sky" from a 1997 concert at The Spectrum in Philadelphia, Pennsylvania.
"Ghost" → "Divided Sky" (12/2/97) from The Spectrum '97, an all new 6-CD Box Set from Phish. Order today at https://dry.gd/spectrum97. In Stores March 15. The Spectrum ‘97 is a complete two-show show box set recorded live 12/2/97 + 12/3/97 at The Spectrum in Philadelphia, PA. Mixed from the band’s multitracks and mastered. Capturing the band at this classic venue during their Fall Tour ‘97 apex, The Spectrum ’97 celebrates a standout run across 33 songs, and features a Soundcheck Bonus. The Spectrum ‘97 was recorded live by Paul Languedoc, mixed from multitrack by Jon Altschiller, and mastered by Fred Kevorkian.
Full Concert Friday this week, featuring Wes Montgomery in a performance on April 2nd, 1965, at VPRO Studio in Hilversum, Holland.
00:11 (I Love) Blues
05:35 Nica's Dream
14:35 "Love Affair" Rehearsal
21:04 The End Of A Love Affair
Wes Montgomery, Guitar; Ruud Jacobs, bass; Han Bennink, Drums; Pim Jacobs, piano
Broadcasted on the Earl Wilson Show 'Stage Entrance' on February 24 (or 25?), 1952.
Charlie Parker Plays with Dizzy Gillespie in the Only Footage Capturing the “Bird” in True Live Performance (Article by Mike Springer)
Here’s a historic TV broadcast of the founding fathers of bebop, Charlie Parker and Dizzy Gillespie, playing together in 1952. It’s one of only two known sound films of Parker playing–and the only one of him playing live, rather than synching to a prerecorded track.
The performance is from a February 24, 1952 broadcast on the pioneering DuMont Television Network. The segment begins with a brief ceremony in which Parker and Gillespie receive awards from Down Beat magazine (Earl Wilson and Leonard feather). Follows a performance of the bebop standard “Hot House,” composed by Tad Dameron around the harmonic structure of Cole Porter’s “What Is This Thing Called Love?.”
The quintet includes Parker on alto saxophone, Gillespie on trumpet, Sandy Block on bass, Charlie Smith on drums and Dick Hyman on piano.
It was Hyman, who had played with Parker and had his own nightly show on the DuMont network, who helped organize the appearance. In a 2010 interview with JazzWax, Hyman talked about what it was like playing on the show with Parker and Gillespie. “It was together,” he said. “Those guys played with such a good time and feel. It’s a terrific performance considering it was a pop show with just two cameras.”
Source
https://www.openculture.com/2013/03/c...
Colorized with AI software.
The Dexter Gordon Quartet playing the tune "Old Folks" in New Haven, Connecticut, on May 10th, 1977. The band lineup is Dexter Gordon on tenor saxophone, Ronnie Matthews on piano, Stafford James on bass, and Louis Hayes on drums.
From their October 7th, 2023, show at Bridgestone Arena in Nashville, Tennessee, here is Phish with a song called "I Always Wanted It This Way" featuring keyboardist Page McConnell on lead vocals.
A Sunday Special post again this week, featuring the late, great Joey DeFrancesco on Hammond organ and Rhodes piano. From Studio Jams Episode #6, recorded at Sigma Sound Studios in Philadelphia, PA (USA). Featuring Joey DeFrancesco on organ, guitarist Larry Carlton, bassist Gerald Veasley, drummer Byron Landham, saxophonist Chris Farr, and percussionist Emedin Rivera. Recorded April 30, 2003.
From his Tour de Force tour, and no, I don't remember what year it was necessarily, here is Joe Bonamassa playing his song "Driving Towards The Daylight" live at the fabled Royal Albert Hall in London, England.
From their first appearance at the Montreux Jazz Festival in Montreux, Switzerland, in 1982, here is Stevie Ray Vaughan & Double Trouble as a trio playing one of Stevie's signature songs, "Pride & Joy". The band is Stevie Ray Vaughan on guitar and vocals, Tommy Shannon on bass, and Chris Layton on drums.
Kirk Lightsey is an American jazz pianist known for his contributions to both the bebop and post-bop eras of jazz. Born on February 15, 1937, in Detroit, Michigan, he became an integral part of the city's thriving jazz scene, which has produced numerous notable jazz musicians.
Here are some reasons why Kirk Lightsey is important:
1. **Collaborations with Renowned Artists**: Lightsey has played with a long list of prominent jazz musicians, including Dexter Gordon, Chet Baker, Sonny Stitt, Betty Carter, Kenny Burrell, and many others.
2. **Leadership and Ensemble Work**: Beyond his work as a sideman, Lightsey led his own groups and was a member of the cooperative band The Leaders, which also featured luminaries such as Cecil McBee, Lester Bowie, Arthur Blythe, and others.
3. **Stylistic Versatility**: Lightsey is well-versed in various jazz styles, enabling him to comfortably move from bebop to more avant-garde expressions of the genre.
4. **Contributions to Jazz Education**: Over the years, Lightsey has been involved in teaching and mentoring, sharing his vast experience and knowledge with younger generations of musicians.
5. **Discography**: Kirk Lightsey has a rich discography, both as a leader and as a sideman. His recordings stand as testimony to his artistry and the evolution of jazz during his active years.
In summary, Kirk Lightsey's importance lies in his outstanding musicianship, collaborations with top-tier jazz artists, leadership in ensemble settings, and his dedication to the art form across various capacities. He is undoubtedly one of the significant figures in the jazz piano realm.
All Blues (Davis) Herbie Hancock, Chick Corea, acoustic piano.
Yes, Herbie Hancock and Chick Corea are both iconic jazz pianists, and they have indeed performed together as a piano duo on multiple occasions. Their collaborations have resulted in some memorable live performances and recordings.
One of the most notable periods of collaboration between these two artists was in the 1970s. They toured together as a duo in 1978, resulting in live recordings that showcased their incredible interplay and virtuosity. Some of these recordings were released as albums, including "An Evening With Herbie Hancock & Chick Corea: In Concert" and "CoreaHancock".
Throughout the years, they continued to collaborate and appear together on various stages, celebrating their mutual respect and admiration for each other's artistry.
Their performances together showcased not only their technical skills but also their deep musical understanding and spontaneity, making their collaborations a delight for jazz enthusiasts.
Another Sunday Special this week, once again, featuring the one and the only, the late, great Joey DeFrancesco. From Studio Jams Episode #6, recorded at the legendary Sigma Sound Studios in Philadelphia, PA (USA). It features guitarist Larry Carlton, bassist Gerald Veasley, drummer Byron Landham, saxophonist Chris Farr, percussionist Emedin Rivera and organist Joey DeFrancesco. This session was taped on April 30, 2003.
From a live performance at the Sydney Opera House, the world famous Sydney Opera House in Sydney, Australia, here is Joe Bonamassa with his song "The Valley Runs Low".
The World Saxophone Quartet (WSQ) is a renowned jazz ensemble that was formed in 1976. The group is known for its unique and innovative approach to saxophone music, blending elements of jazz, free improvisation, and world music. The original members of the World Saxophone Quartet were Julius Hemphill, Oliver Lake, Hamiet Bluiett, and David Murray.
Each member of the quartet brings their own distinctive style and musical background to the group, resulting in a rich and diverse sound. The WSQ has been influential in expanding the possibilities of saxophone ensembles in jazz and has released numerous critically acclaimed albums over the years.
The World Saxophone Quartet's repertoire includes original compositions, as well as arrangements of jazz standards and traditional tunes from various musical traditions. They have collaborated with a wide range of musicians and have performed all over the world, gaining a loyal following and international recognition for their artistry and musicianship.
The quartet has undergone some lineup changes over the years, with various renowned saxophonists joining and departing the group. Despite these changes, the WSQ continues to push boundaries and explore new sonic territories, maintaining its status as a leading force in contemporary jazz.
Sonny Rollins's significance lies in his vast contributions to jazz as a performer, composer, and innovator. His impact on the art form is undeniable, and his recordings and performances continue to inspire new generations of musicians.
Tokyo TV, more commonly referred to as "Tokyo Broadcasting System Television, Inc." or "TBS," is a major television network in Japan. Established in 1951, TBS provides a variety of programming, including news, dramas, variety shows, and other entertainment content.
Released in late February 2024. Gambale's latest song is a fantastic variation of his classic Little Charmer. This is a reupload of the video. The first time it was uploaded by Frank and his production company on his YouTube channel, there were sync issues. No sync issues here. So, enjoy the video.
This week's Sunday Special. The late, great Hammond B3 organ maestro, Joey DeFrancesco playing "Misty". “Misty” recorded at Sigma Sound Studios in Philadelphia, PA 2003.
Joey DeFrancesco - Organ Larry Carlton - Guitar Gerald Veasley - Bass Byron Landham - Drums Chris Farr - Saxophone, percussionist Emedin Rivera - Percussion
This performance, it should be noted, is another rendition of Dizzy Gillespie's composition "Ow".
Ow (Gillespie). Jazz at the Philharmonic, 1967. Dizzy Gillespie, Clark Terry, James Moody, Zoot Sims, Teddy Wilson, Bob Cranshaw, Louis Belson.
"Jazz at the Philharmonic" (JATP) was a concert and recording series organized by jazz impresario Norman Granz. The first "Jazz at the Philharmonic" concert took place in 1944 at the Philharmonic Auditorium in Los Angeles. The series featured performances by some of the greatest jazz musicians of the era, including Charlie Parker, Lester Young, Ella Fitzgerald, Billie Holiday, Oscar Peterson, Dizzy Gillespie, and many more.
These concerts were significant for several reasons:
1. Integration: At a time when the United States was still largely segregated, JATP concerts were among the first to feature racially integrated lineups. Norman Granz was a strong advocate for civil rights and insisted that his concerts not be segregated.
2. Popularization: The concerts helped popularize jazz by bringing it into major concert halls and introducing it to wider audiences. Previously, jazz had largely been confined to nightclubs and smaller venues.
3. Musical Freedom: The format of the concerts often involved loose, jam-session style performances, which gave musicians a high degree of artistic freedom and the chance to engage in improvisational interplay.
4. Recordings: The concerts were also recorded and widely distributed, contributing to the popularization of the music and the musicians involved.
5. Innovation: The musicians who played at JATP concerts were often on the cutting edge of jazz, and the concerts served as a platform for the introduction of new styles and ideas.
The "Jazz at the Philharmonic" series was hugely influential in shaping the course of jazz history and played a role in the careers of many of the genre's most important musicians. It ceased its regular activities in the late 1950s but has had an enduring legacy, inspiring subsequent generations of jazz musicians and fans alike.
From Acid to Indian gurus, Maynard led a fascinating life. While he was living in Europe in the late 60s and early 70s, he appeared on European television. Always the performer, one of his strengths was his ability to quick adapt to any performing situation. It something he did his entire life, leading his first big band when he was a teenager.
Bernie's Tune (Miller) Gerry Mulligan Sextet, RAI Television 1956. Gerry Mulligan, baritone sax; Bob Brookmeyer, valve trombone; Zoot Sims, tenor saxophone; Jon Eardley, trumpet; Bill Crow, bass; Dave Bailey, drums
From the 2000 Bern Blues Festival in Bern, Switzerland, here is Buddy Guy and his band playing a medley of Muddy Waters' "Hoochie Coochie Man", and "One Room Country Shack". Check it out.
SCI performs Willie Nelson's "Whiskey River" in the hometown of Willie himself, Austin TX @ The Backyard on 7/6/13. A great band performing a rendition of a great song, that Willie has opened his shows with, seemingly forever, at least since his popularity exploded on the Austin, Texas, music scene in the mid 1970s.
This week's Sunday Special is something I just stumbled upon, but this is pretty cool I have to say. Billy Cobham's Glass Menagerie performing the tune "Flight Time" live in Rome, Italy, on February 19th, 1981. The quintet features Billy Cobham on drums, Michal Urbaniak on electric violin and lyricon, Mike Stern on guitar, Tim Landers on bass, and Gil Goldstein on piano, Rhodes piano, and keyboards.
From Bret "Jazz Video Guy" Primack, as well as another YouTube video source that I have to check on, here is another fascinating performance. Junior Cook, Bill Hardman, and Walter Bishop Jr. performing live in Spain in 1987. Here's the full band lineup. Bill Hardman, trumpet; Junior Cook, tenor saxophone; Walter Bishop, Jr., piano; Chin Suzuki, bass and Leroy Williams, drums. Spanish TV, 1987
Full Concert Friday this week. Max Roach Quartet & Abbey Lincoln, BRT TV Studio, Schaarbeek, Belgium, January 10, 1964.
Presentation Jan Gheysen 00:00
We Insist! Freedom Now Suite:
Intro 2:30
Driva Man 4:50
Triptych (Prayer/Protest/ Peace) 9:58
All Africa 19:09
Freedom Day 25:27
Lineup:
Max Roach: drums
Abbey Lincoln: vocals
Clifford Jordan: tenor saxophone
Coleridge Perkinson: piano
Eddie Khan: bass