A Sunday Special, and a Full Concert Sunday, if you will. The Allman Brothers Band on Austin City Limits circa 1996. The lineup of the band at this time was:
Gtegg Allman: Hammond B3 organ, piano, acoustic guitar, lead vocals
Dickey Betts: lead & slide guitar, lead vocals
Warren Haynes: lead & slide guitar, lead vocals
Allen Woody: bass, vocals
Butch Trucks: drums
Jaimoe: drums
Marc Quinones: percussion, vocals
Came across a tape with some episodes of Austin City Limits, gotta appreciate the legends. Not seeing these in full anywhere so I'm throwing them up here! I've always been a fan of live music, even televised :)
This one aired Feb. 24th, 1996. It's The Allman Brothers Band, need I say more? Had to save the best for last, of course this is just my personal opinion. If I find more, I'll upload them!
Timestamps thanks to @waterfalls1358 in the comments :::
Sailin' Across the Devil's Sea- 2:02
Ain't Waisin' Time No More- 6:46
Ramblin' Man- 13:17
Midnight Rider- 18:39
The Same Thing- 21:58
Blue Sky- 29:01
Back Where It All Begins- 35:56
One Way Out- 46:37
Directions (Zawinul). Miles Davis Live in Berlin, 1969. Miles Davis, trumpet; Wayne Shorter, saxophones; Chick Corea, piano; Dave Holland, bass; Jack DeJohnette, drums.
From Joe Bonamassa's "Redemption" record here is the tune "Self-Inflicted Wounds" which Bonamassa points out, was written from the standpoint that in life, we all must ponder our actions and our ultimate fate when our time comes or something to that extent.
From a 1976 concert on the Old Grey Whistle Test live concert television show in England, here is Bonnie Raitt and her band performing "Love Me Like A Man".
Gambale adds power to RTF IV during the 2011 World Tour. This particular solo is on the Chick Corea composition "Captain Senor Mouse". I saw, and met Frank, along with most of the rest of the band, Chick Corea, Stanley Clarke, and Lenny White, during the 2011 Return to Forever world tour at their concert stop in Minneapolis, at the Orpheum Theater in Minneapolis, and it was quite the experience to interact with some of my musical heroes.
'My Own Medicine' - Official Music Video by Lachy Doley
Sydney is such a beautiful part of the world and has now been my home for 27 years. The absolute perfect backdrop for my very upbeat piano thumpin pop rock tune 'My Own Medicine'. So last month we decided to put on an exclusive show on the gorgeous 'Harbour Spirit' and make a music video at the same time!! It was always gonna be a huge risk being totally dependent on the weather plus the 48 hours leading up to it did nothing to calm my nerves. In fact it was so torrential I had everyone asking whether it was still going ahead. Well luckily, with only a few hours spare the clouds parted and the sun came beaming down to become the perfect day. PHEW!!
Such a wonderful, fun show. More like a party than a concert. We also had the legendary Ray Beadle come down and play a few tunes tunes. What a top day.
Great to see so many of my Sydney people getting involved and bringing the vibe. Thank you so much and make sure you tag yourself and let the world know 🙂
Audio Recording:
Performed and written by Lachlan (Lachy) Doley
Mixed and produced by Lachy Doley and Kieran Collings
Bass by Joel Burton
Drums by Jackie James Barnes
Recorded and Oceanic Studios
Mixed at Cryptonic Studios
Music Video Recording:
Filmed and edited by Rhys Bennett at High Voltage Photography
Produced by Neil Donovan
Lachy Doley on Keyboards
Joel Burton on Bass
Adam Church on Drums
Ray Beadle on Guitar
Miranda Carey on Vocals
Filmed on the Harbour Spirit by Sydney Harbour Cruises - Harbourside Cruises
After 13 shows in 17 days in Europe we played possibly our greatest club show ever at NEW MORNING in Paris. We opened the night with MONEY from the latest album into A WOMAN. The whole show was recorded but won't be seen until later in the year once it's been played on French TV. This is the only preview I can give you. Hope you enjoy!
Lachy Doley on #hammondorgan, #clavinet and vocals
Joel Burton on Bass
Jackie James Barnes on Drums
Produced by Zycopolis Productions
Mixed and Mastered by Lachy Doley
Continuing with rare jazz concerts for Full Concert Friday this week on the Summer Solstice, the longest day of the year.
Recorded for french TV.
Straight Life 00:00
The intrepid fox 08:23
Sky dive (end only) 30:37
Here's that rainy day 32:20
First light 44:39
Freddie Hubbard (trumpet); Junior Cook (tenor sax, flute); George Cables (elec. piano); Kent Brinkley (double bass); Michael Carvin; (drums)
From their 1975 "Fly By Night" record, here is a live performance by Rush of the tune "Anthem", at Massey Hall, a home venue for them, being one of several recognizable rock bands from Canada. The trio features Alex Lifeson on guitar, Geddy Lee on bass with his unmistakable falsetto vocals, and Neil Peart on drums.
Jethro Tull's encore of "Locomotive Breath" from their gig on July 24th, 2011, at the High Voltage Festival, featuring Joe Bonamassa on lead guitar. Check it out.
Joe Bonamassa and his band perform "Taxman", the George Harrison song performed of course, by The Beatles. This is from a show at The Cavern Club in Liverpool, England, circa 2015 or 2016. I will be truthful and say that I am not too sure of the exact date of this performance or this specific concert. A great rendition of a perhaps somewhat lesser known Beatles song.
This week's Sunday Special. It is the Woody Herman Big Band playing their arrangement of John Coltrane's "Giant Steps" with the featured soloists, tenor saxophonists Frank Tiberi and Bob Belden.
Another Full Concert Friday featuring Yusef Lateef, Kenny Drew and Company at the 1968 Molde Jazz Festival in Norway.
Frère Jacques 00:00
The shadow of your smile 11:47
Number 7 27:53
Band introduction 37:10
Yusef Lateef (sax, flutes), Kenny Drew (piano) , Niels-Henning Ørsted Pedersen (bass), Albert Heath (drums).
From: http://www.billytaylorjazz.net. Billy plays part of his tribute to Dr. Martin Luther King, "If You Are Really Concerned Then Show It" and discusses his early days, in Washington, D.C. and New York, when he played on 52nd Street with Ben Webster, learned from Art Tatum, and was befriended by an angel named Jo Jones.
500 Miles High (Corea) from the Molde Jazz Festival, August, 1972. Chick Corea, Fender Rhodes Electric piano; Stanley Clarke, bass; Joe Farrell, soprano saxophone; Airto, drums: Bill Tragesser, percussion.
Please visit the new home of the Jazz Video Guy: http://syncopatedjustice.com
Another Sunday Special this week. From Bret "Jazz Video Guy" Primack. Billy Taylor interviews Les McCann and they also perform together. http://www.billytaylorjazz.net presents Billy Taylor and Les McCann performing the Les McCann composition, "Another Me."
From Bret "Jazz Video Guy" Primack. Billy Taylor and Les McCann playing Billy's composition "I Wish I Knew How It Would Feel to Be Free" a tune once again, covered by many great artists. Sister Rosetta Tharpe and the Derek Trucks Band also come to mind, having covered Billy's gospel song. Check out Billy and Les' version. A piano duo.
Happy Birthday, Derek Trucks! I have posted something from this particular group, and did so, many moons ago. This is Frogwings, the super group Allman Brothers Band side project that was short-lived in the late 1990s and features some top-notch musicians in the band including Derek Trucks and Jimmy Herring on guitars, Oteil Burbridge on bass, Kofi Burbridge on keyboards, and Butch Trucks on drums. Through their history, albeit brief, they had a couple vocalists, too. Edwin McCain, and later, John Popper on vocals and harmonica (frontman for the band Blues Traveler).
"We are Frogwings from the swamp." Edwin McCain
Frogwings was a jam band supergroup that Butch Trucks pulled together in 1997. The group toured in May 1997 and included Butch on drums, Jimmy Herring and Derek Trucks on guitar; Count M'Butu and Marc Quiñones on percussion; Edwin McCain guitar/vocals, Oteil Burbridge bass, Jona Herbert keys. A December 1997 tour included Kofi Burbridge on keys (I believe Count M'Butu sat it out).
Frogwings was a band in the mold of the ABB in spirit and it carried a psychedelic, experimental bent that came directly from its guitarists, Derek Trucks (then just 17) and Jimmy Herring on guitar and Oteil Burbridge on bass. Burbridge joined the Allman Brothers Band for the Summer 1997 tour. Derek Trucks signed on with the ABB for the Summer 1999 tour. And Herring spent Summer 2000 with the band in place of Dickey Betts.
(In 1999, Butch brought Blues Traveler frontman John Popper in to replace McCain and the band recorded its sole album, Croakin' at Toads.)
A Full Concert Friday this week featuring the Horace Silver Quintet at Antibes Jazz Festival in Antibes, France, in July, 1964.
Tokyo blues 00:00
Pretty eyes 16:19
Señor blues 31:51
No smokin 40:38
Que pasa? 47:25
A mix of two sets probably recorded in 27 and 28th July 1964.
Various level of video quality.
I could not find "The natives are restless tonight" (may somebody help me)
The band:
Horace Silver (piano), Carmell Jones (trumpet), Joe Henderson (tenor sax), Teddy Smith (acoustic double bass), Roger Humphries (drums).
from the newspaper "Le Monde" dated 27th July 1964:
"Assemblant avec une vigueur parfois furieuse de courtes phrases portées à un haut point d'exacerbation rythmique, Silver traite le piano avant tout comme un instrument de percussion, mais le compositeur est encore plus grand que l'instrumentiste : ses thèmes s'imposent par leur accent de violence, leur couleur à la fois rude et capiteuse, et il excelle à organiser en durée, découpage et ponctuations les interprétations d'un groupe qu'il vient de renouveler judicieusement en faisant appel notamment à Joe Henderson, un saxo ténor inspiré à la fois par Coltrane, Rollins et Yusef Lateef, et qui nous a paru comme la seule révélation de la soirée."
"Assembling with sometimes furious vigor short phrases carried to a high point of rhythmic exacerbation, Silver treats the piano above all as a percussion instrument, but the composer is even greater than the instrumentalist: his themes are imposed by their accent of violence, their color both harsh and heady, and he excels at organizing in duration, division and punctuation the interpretations of a group that he has just judiciously renewed by calling in particular on Joe Henderson, a tenor sax inspired by both by Coltrane, Rollins and Yusef Lateef, and who seemed to us to be the only revelation of the evening."
From Bret "Jazz Video Guy" Primack. Beautiful, eloquent, and sensitive piano playing from Billy Taylor, the one and the only. Here he is playing "In A Sentimental Mood", a wonderful jazz standard covered by many great artists.
Señor Blues (Silver) Horace Silver, piano; Teddy Smith, bass; Roger Humphries, drums; Carmel Jones, trumpet and Joe Henderson, tenor saxophone. Antibes Jazz Festival, 1964.
http://www.billytaylorjazz.com presents a Tribute to Oscar Pettiford featuring Billy Taylor's Trio and Billy's composition, "One for the Woofer," featuring Chip Jackson on bass.
Oscar Pettiford
In 1942 he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his "The Man I Love." He also recorded with Earl Hines and Ben Webster around this time. He and Dizzy Gillespie led a bop group in 1943. In 1945 Pettiford went with Hawkins to California, where he appeared in The Crimson Canary, a mystery movie known for its jazz soundtrack. He then worked with Duke Ellington from 1945 to 1948 and for Woody Herman in 1949 before working mainly as a leader in the 1950s.
As a leader he inadvertently discovered Cannonball Adderley. After one of his musicians had tricked him into letting Adderley, an unknown music teacher, onto the stand, he had Adderley solo on a demanding piece, on which Adderley performed impressively.
Pettiford is considered the pioneer of the cello as a solo instrument in jazz music. He first played the cello as a practical joke on his band leader [Woody Herman] when he walked off stage during his solo spot and came back, unexpectedly with a cello and played on that. In 1949, after suffering a broken arm, Pettiford found it impossible to play his bass, so he experimented with a cello a friend had lent him. Tuning it in fourths, like a double bass, but one octave higher, Pettiford found it possible to perform during his rehabilitation (during which time his arm was in a sling) and made his first recordings with the instrument in 1950. The cello thus became his secondary instrument, and he continued to perform and record with it throughout the remainder of his career.
He recorded extensively during the 1950s for the Debut, Bethlehem and ABC Paramount labels among others, and for European companies after he moved to Copenhagen in 1958. Along with his contemporary, Charles Mingus, Pettiford stands out as one of the most-recorded bass-playing ...
http://www.billytaylorjazz.net presents The Billy Taylor Trio Live in 2001, featuring Billy Taylor on piano, Chip Jackson on bass and Steve Johns on drums, performing Chip Jackson's original, "Is There A Jackson in the House," featuring bassist Jackson.
"Red Hot Mama" from Boone 1999 the newest release from the Widespread Panic live archive.
Boone 1999 was recorded live at the Varsity Gym at Appalachian State University in Boone, NC on April 22, 1999, and is available for streaming and order now at https://nugs.net/widespreadpanic
"Red Hot Mama" is a cover of a Parliament Funkadelic song.