From Bret "Jazz Video Guy" Primack, here is the Horace Silver Sextet playing "Tokyo Blues" at the 1987 Berlin Jazz Festival. The band lineup here is the sextet itself, minus vocalist Andy Bey. Horace Silver on piano, Brian Bromberg on double bass, Carl Burnett on drums, Dave Douglas on trumpet, and Vincent Herring on saxes (alto and tenor). You will notice Herring plays his solo on alto, and switches to tenor for the remainder of the tune as the band finishes the solos and returns to del cappo (the head) of the composition, and the horns play out with the rest of the band after Brian Bromberg's wicked double bass solo. Great tune. Dig it.
Here is Bud Powell once again, with "I Want To Be Happy" live in Paris, France in 1961, with his trio. The trio is Bud Powell on piano, Jean Marie Ingrand on bass, and Kenny Clarke on drums.
Not exactly sure where or when this performance takes place, but it is a good one. The blues standard "Sinner's Prayer" performed by two of the late, great giants of music, the late B.B. King and Billy Preston on guitar and organ, and (still with us), actor and blues harmonica player, Bruce Willis. Check out this performance.
Full Concert Friday this week, takes us back to the 1990 Mellon Jazz Festival and a performance by a quartet of jazz royalty. Herbie Hancock on piano and keyboards, Pat Metheny on guitar, Dave Holland on bass, and Jack DeJohnette on drums. The show was performed on June 23rd, 1990, at the Mellon Jazz Festival in Philadelphia, Pennsylvania. The set list.
What follows are Bret "Jazz Video Guy" Primack's recollections of the late, great jazz trombone master, Slide Hampton.
I heard Slide live once, at a Salsa Meets Jazz program at the Village Gate, where Jazz artists would sit in with a group of Latin musicians. Slide came out and his solo was, in a word, incredible. I went up to him after the set, to compliment him. He said to me, "there's one thing you should know about the trombone, it's impossible."
Slide Hampton's distinguished career spans decades in the evolution of jazz. At the age of 12 he was already touring the Midwest with the Indianapolisbased Hampton Band, led by his father and comprising other members of his musical family. During these tours, Hampton encountered jazz musicians such as J.J. Johnson and Wes Montgomery, who became early influences. By 1952, at the age of 20, he was performing at Carnegie Hall with the Lionel Hampton Band. He then joined Maynard Ferguson's band, playing trombone and providing exciting charts on such popular tunes as "The Fugue," "Three Little Foxes," and "Slide's Derangement."
As his reputation grew, he soon began working with bands led by Art Blakey, Dizzy Gillespie, Barry Harris, Thad Jones, Mel Lewis, and Max Roach, again contributing both original compositions and arrangements. In 1962, he formed the Slide Hampton Octet, which included stellar horn players Booker Little, Freddie Hubbard, and George Coleman. The band toured the U.S. and Europe and recorded on several labels.
From 1964 to 1967, he served as music director for various orchestras and artists. Then, following a 1968 tour with Woody Herman, he elected to stay in Europe, performing with other expatriates such as Benny Bailey, Kenny Clarke, Kenny Drew, Art Farmer, and Dexter Gordon. Upon returning to the U.S. in 1977, he began a series of master classes at Harvard University, the University of Massachusetts at Amherst, De Paul University in Chicago, and Indiana University. During this period he formed the illustrious World of Trombones: an ensemble of nine trombones and a rhythm section.
In 1989, with Paquito D'Rivera, he was musical director of Dizzy's Diamond Jubilee, a year-long series of celebrations honoring Dizzy Gillespie's 75th birthday. Hampton's countless collaborations with the most prominent musicians of jazz were acknowledged by the 1998 Grammy Award for Best Jazz Arrangement with a Vocalist for Dee Dee Bridgewater's recording "Cotton Tail." Most recently, he has served as musical advisor to the Carnegie Hall Jazz Band. A charismatic figure, master arranger, and formidable trombonist, Hampton holds a place of distinction in the jazz tradition.
