Here is an album profile I surely wanted to write, but not for the reasons that it turned out for.
I read some shocking news just today. A favorite keyboard player of mine and a core of the Charlie Daniels Band has passed away, William Joel "Taz" DiGregorio. He played with Charlie in two different bands (The Jaguars, and, The Charlie Daniels Band). DiGregorio's deft skill at playing piano and Hammond B3 was a HUGE component of the CDB sound. Nowhere was this more evident for me than when I saw the band in person in a free show at the Minnesota State Fair in 2003. That show inspired me to pick up the electric guitar and also, introduced me (thanks to Taz's playing) to the glorious sound of the Hammond B3. Taz was a gifted keyboardist, singer and songwriter.
I not only have a lot of the award winning and legendary CDB albums he appeared on, but also, a great solo album he recorded five years ago called "Shake Rag". While the CDB has a definite country/blues boogie rock sound, Taz's keys and vocals brought the flavor of classic R&B and soul into the fold. His chops on the B3 were incredible and in my opinion, he should be ranked right up there with some of the great B3 players of all time (Gregg Allman, Booker T. Jones and the late Billy Preston come to mind). DiGregorio contributed definite writing credits to many of the CDB's hit songs in their catalog and Charlie considered him a real friend obviously. It's hard to put into words what the band must be feeling, having lost a core member. But, that can happen. You are out on the road, looking to get to the next gig, and something completely unexpected comes up.
Taz will surely be missed by the CDB and their legions of fans. He will be a hard one to replace. In the spirit of remembering his talent, it is worthwhile mentioning the track listing from the "Shake Rag" album. Here is the listing of very soulful and well written cuts off the album.
1. Shake Rag
2. Rampart Street
3. Living For The Moment
4. Sylvia
5. Lonely Hearted Man
6. Nothing Left But The Blues
7. Go On And Dream
8. Midnight At The Crossroads
9. When The Rain Comes Down
It is worth noting (and I still remember this), that "Rampart Street" was played as part of the CDB's set list at their show I witnessed at the Minnesota State Fair in 2003. Refer to the official CDB website at www.charliedaniels.com for more information. For the band, I cannot imagine what they have been through, because Charlie's other long serving bandmate (for 14 years between 1975 and 1989 and for many years after as a guest), guitarist Tommy Crain, also passed away earlier this year. This CDB fan will always remember Tommy and Taz and their contributions to a great band.
First saw the CDB on an old rerun of Austin City Limits in 1981 which aired on CMT when they were more dedicated to music than they are now. ...And all I have to say is, wow! It was an inspiring performance in more ways than one. Rest In Peace, Taz and Tommy.
Friday, October 14, 2011
Tuesday, October 11, 2011
Record collection revisited: Allman Brothers Band "Hittin' The Note"
Ah, my favorite band of all time, the Allman Brothers. I have been fortunate enough to see them in concert twice and have followed some of their concerts via a website they have called Moogis (www.moogis.com) which allows people to view some of their concerts from a spring marathon of shows they do in New York City each year. Go check it out, but, it is subscription based. Not trying to endorse anything per se. That's the disclaimer. Anyhow, their 2003 record "Hittin' The Note" (which is the latest album they've done as a band while individual members have put out more recent projects) is still a record that holds up to this day. Once the band parted ways with their now retired from touring former guitarist, Dickey Betts (after some major disagreements), they were able to spread their wings and fly freely on Hittin' The Note. This is when the guitar tandem of Warren Haynes and Derek Trucks REALLY began to take off.
Both of them contribute some stunning playing on this album and this is an album that influenced me in many ways to pick up a guitar and play. It also showcases the Allman's trademark dual drummer setup as well as bandleader, Gregg Allman's deft keyboard work as he makes his Hammond B3 sing on most of the tracks, coupled with his gruff, but still very soulful vocal delivery. Warren Haynes also takes lead vocals on a couple of the songs and like Allman, his voice is rough, but sweet. He really showed his affinity for soul music beginning on this record and that carried over to his latest solo album ("Man In Motion") which was highlighted here some time ago.
A lot of the songs here paint vivid pictures, especially the ballad, "Desdemona" which is the third cut on the record and has become a staple of the Allman Brothers catalog. Their vibrant cover of Freddie King's "Woman Across The River" (also a concert favorite), is a scorcher. "Old Before My Time" is an autobiographical number in a way. One has to wonder, because in reading about this album, I read someplace that Gregg Allman had said it took only two weeks or so to cut the entire record and that the band would cut at least one track a day!
That's pretty amazing. Other highlights on the album include songs like "Who To Believe", the Warren Haynes (co-written with keyboardist/harmonica player/songwriter, Johnny Neel), number, "Maydell", "Rocking Horse" (a real live jam type number), and some other songs at the back end of the album, cement this record as one of the best the Allman Brothers has done. Pardon me if I am showing bias towards this band. But, I am also reiterating that point Allman made about it not only being cut quickly, but it was probably one of the best records the Allmans have done since Gregg's brother (legendary slide guitarist Duane Allman), was alive.
Casual and diehard ABB fans are encouraged to listen to this one. It's a modern statement of the music of a band that has survived relatively intact for 42 years and is still going strong. Hopefully they can make it a few more years in terms of touring and maybe, just maybe, put out one more new record in the not-too-distant future, that will be just as rewarding to listen to as "Hittin' The Note".
Track listing: Allman Brothers Band, "Hittin' The Note"
1. Firing Line
2. High Cost of Low Living
3. Desdemona
4. Woman Across The River (Freddie King cover)
5. Old Before My Time
6. Who To Believe
7. Maydell
8. Rocking Horse
9. Heart of Stone (a Rolling Stones cover)
10. Instrumental Illness
11. Old Friend
*Note. I have recently graduated from college. But, I have to say, during my early years as a confused, struggling and stressed out college student, the Allman Brothers' music was a definite stress buster and comfort to me, negotiating tasks that had to be done.
Both of them contribute some stunning playing on this album and this is an album that influenced me in many ways to pick up a guitar and play. It also showcases the Allman's trademark dual drummer setup as well as bandleader, Gregg Allman's deft keyboard work as he makes his Hammond B3 sing on most of the tracks, coupled with his gruff, but still very soulful vocal delivery. Warren Haynes also takes lead vocals on a couple of the songs and like Allman, his voice is rough, but sweet. He really showed his affinity for soul music beginning on this record and that carried over to his latest solo album ("Man In Motion") which was highlighted here some time ago.
A lot of the songs here paint vivid pictures, especially the ballad, "Desdemona" which is the third cut on the record and has become a staple of the Allman Brothers catalog. Their vibrant cover of Freddie King's "Woman Across The River" (also a concert favorite), is a scorcher. "Old Before My Time" is an autobiographical number in a way. One has to wonder, because in reading about this album, I read someplace that Gregg Allman had said it took only two weeks or so to cut the entire record and that the band would cut at least one track a day!
That's pretty amazing. Other highlights on the album include songs like "Who To Believe", the Warren Haynes (co-written with keyboardist/harmonica player/songwriter, Johnny Neel), number, "Maydell", "Rocking Horse" (a real live jam type number), and some other songs at the back end of the album, cement this record as one of the best the Allman Brothers has done. Pardon me if I am showing bias towards this band. But, I am also reiterating that point Allman made about it not only being cut quickly, but it was probably one of the best records the Allmans have done since Gregg's brother (legendary slide guitarist Duane Allman), was alive.
Casual and diehard ABB fans are encouraged to listen to this one. It's a modern statement of the music of a band that has survived relatively intact for 42 years and is still going strong. Hopefully they can make it a few more years in terms of touring and maybe, just maybe, put out one more new record in the not-too-distant future, that will be just as rewarding to listen to as "Hittin' The Note".
Track listing: Allman Brothers Band, "Hittin' The Note"
1. Firing Line
2. High Cost of Low Living
3. Desdemona
4. Woman Across The River (Freddie King cover)
5. Old Before My Time
6. Who To Believe
7. Maydell
8. Rocking Horse
9. Heart of Stone (a Rolling Stones cover)
10. Instrumental Illness
11. Old Friend
*Note. I have recently graduated from college. But, I have to say, during my early years as a confused, struggling and stressed out college student, the Allman Brothers' music was a definite stress buster and comfort to me, negotiating tasks that had to be done.
Monday, October 10, 2011
Widespread Panic
I saw a concert on TV in the wee wee hours of this morning (don't ask why TV stations broadcast shows at that time of the day, I have no idea). But, HDNet broadcasted Widespread Panic's Tunes for Tots benefit concert and wow, what a show to behold, even on TV! This band has been around for 25 years and they follow in the footsteps of their fellow Georgians, the Allman Brothers. But, they are totally different. They jam just as hard as the Allmans do and improvising is the big part of their sound, but, they have an incredible groove in some of their songs, too. Since adding new band members a few years ago (Jimmy Herring on guitar and Jojo Herman on keyboards), they've really taken off.
I have a single compilation CD of their material from their earlier career. It's a good one. But this new lineup is amazing. Herring's guitar playing is truly original. He plays mostly Fender guitars (Stratocaster's and Telecaster's), through high powered amps and has the ability to make them really sing and have a sustaining quality that the tones of those guitars aren't always known for. Just proves that sometimes it's the player, not the gear they use that makes things effective. Herring's vibrato is almost violin like and is something that has to be heard to be believed. Hermann is a solid keyboardist as well. The rhythm section is Dave Schools on bass (who has mastered the art of groovy, funky bass in his own way), Todd Nance on drums and Sonny Ortiz on percussion/drums.
They have many songs. But the highlight in the set for me was hearing a more recent number that was put on their latest album "Dirty Side Down". A track entitled "North". Wow! Their lead singer John Bell also plays guitar. His vocals are something to get used to. He has a gruff edge to what could very well be a more tenor sounding voice. I can't really describe his style. At first I didn't care for it, but now I've grown to accept it. The show was a masterful display of their ability to jam.
So, if you have not heard of Widespread Panic, I urge you to check them out. They are monsters when it comes to being able to throw down the jams. But they do it in a totally unique way that is entirely their own.
I have a single compilation CD of their material from their earlier career. It's a good one. But this new lineup is amazing. Herring's guitar playing is truly original. He plays mostly Fender guitars (Stratocaster's and Telecaster's), through high powered amps and has the ability to make them really sing and have a sustaining quality that the tones of those guitars aren't always known for. Just proves that sometimes it's the player, not the gear they use that makes things effective. Herring's vibrato is almost violin like and is something that has to be heard to be believed. Hermann is a solid keyboardist as well. The rhythm section is Dave Schools on bass (who has mastered the art of groovy, funky bass in his own way), Todd Nance on drums and Sonny Ortiz on percussion/drums.
They have many songs. But the highlight in the set for me was hearing a more recent number that was put on their latest album "Dirty Side Down". A track entitled "North". Wow! Their lead singer John Bell also plays guitar. His vocals are something to get used to. He has a gruff edge to what could very well be a more tenor sounding voice. I can't really describe his style. At first I didn't care for it, but now I've grown to accept it. The show was a masterful display of their ability to jam.
So, if you have not heard of Widespread Panic, I urge you to check them out. They are monsters when it comes to being able to throw down the jams. But they do it in a totally unique way that is entirely their own.
Sunday, October 9, 2011
"Bitches Brew" by Miles Davis (revisited)
In listening to disc two of the Miles Davis "Bitches Brew" album, I realize that in the post I wrote about it in September, I had completely neglected the track listing. Well, FYI, here it is.
"Bitches Brew" Disc 1:
1.Pharaoh's Dance
2. Bitches Brew
"Bitches Brew" Disc 2:
1. Spanish Key
2. John McLaughlin
3. Miles Runs The Voodoo Down
4. Sanctuary
5. Feio
*Note: "Feio" is a bonus cut that was recorded during the original sessions for the record, but only added to the reissue CD as part of the Columbia Records Legacy Series.
"Bitches Brew" Disc 1:
1.Pharaoh's Dance
2. Bitches Brew
"Bitches Brew" Disc 2:
1. Spanish Key
2. John McLaughlin
3. Miles Runs The Voodoo Down
4. Sanctuary
5. Feio
*Note: "Feio" is a bonus cut that was recorded during the original sessions for the record, but only added to the reissue CD as part of the Columbia Records Legacy Series.
Thursday, October 6, 2011
Record collection revisited: Booker T. Jones "Potato Hole"
I have been listening today to a great record by Booker T. Jones called "Potato Hole" which he released last year. He did this album with country rockers The Drive-By Truckers consisting of Patterson Hood on guitar, Mike Cooley on guitar, John Neff on guitar and pedal steel guitar, Shonna Tucker on bass and Brad Morgan on drums. For this record, Booker T. and the DBT's are joined by Neil Young on guitar and Lenny Castro on percussion. This record is full of great instrumentals which Booker T is famous for. He still plays with his band, the MG's as well. I had the pleasure of seeing them play The Dakota Jazz Club in Minneapolis in summer 2010. Booker T has been playing the Hammond B3 for a long, long time and is also adept (as he proves on this record) as a guitarist. The MG's with Booker T, Steve Cropper on guitar, Donald "Duck" Dunn on bass and Steve Potts on drums, were also joined by soul songwriter Eddie Floyd for that concert. Floyd wrote a huge number of songs covered by soul singers on the Stax label including for artists such as Wilson Pickett and Sam & Dave, and he sang on all of those songs backed by Booker T and the MG's at that show.
This record with the Drive-By Truckers is very different from the MG's. But it is still musically adventurous, including a wicked take by Booker T on Outkast's song "Hey Ya" which was a hit a few years ago where he plays the entire thing on B3 backed by the band! That's something to listen to. Wow! Check out this record. It's a good one, especially for fans of instrumentals. Track listing:
1. Pound It Out
2. She Breaks
3. Hey Ya
4. Native New Yorker
5. Nan
6. Warped Sister
7. Get Behind The Mule (a Tom Waits cover)
8. Reunion Time
9. Potato Hole
10. Space City
This record with the Drive-By Truckers is very different from the MG's. But it is still musically adventurous, including a wicked take by Booker T on Outkast's song "Hey Ya" which was a hit a few years ago where he plays the entire thing on B3 backed by the band! That's something to listen to. Wow! Check out this record. It's a good one, especially for fans of instrumentals. Track listing:
1. Pound It Out
2. She Breaks
3. Hey Ya
4. Native New Yorker
5. Nan
6. Warped Sister
7. Get Behind The Mule (a Tom Waits cover)
8. Reunion Time
9. Potato Hole
10. Space City
Sunday, October 2, 2011
The Black Crowes
Ah, another profile of one of my favorite bands. The Black Crowes, from Atlanta, Georgia. These guys are now on a hiatus of sorts after a 20+ year career. But what they managed to accomplish in that two decades is astonishing. Brothers Chris and Rich Robinson head the band (Chris on vocals, harmonica and occasional guitar) and Rich on guitar and occasional vocals. Their debut record in 1990 ("Shake Your Moneymaker"), was relatively successful. The title was taken from a song of the same name by Chicago blues legend and slide guitarist, Elmore James.
The band blends blues and soul with a healthy dose of influence from British groups like the Rolling Stones and The Faces. Rich Robinson picked up quickly on a guitar style resembling that of Keith Richards and put his own spin on it. But, the band also easily falls into the jam band realm because of their improvisation skills, right up there with their fellow Georgia blues rock pioneers, the Allman Brothers Band. Live, the band can really stretch out and does fall into that "jam band" niche. Although the term "jam band" is kind of a curse or a dirty description in the music biz. Why? I do not know. Anyhow, the Crowes can jam with the best. Robinson has anchored the guitar duties while drummer Steve Gorman has also been in the band for the long run.
Bassist Sven Pipien has been a part of the band through most of their formative years (as they started with another bassist, Johnny Colt). They have had three main guitarists alongside Rich Robinson. Jeff Cease, Marc Ford, and their latest axe slinger (concurrently a member of his own band, The North Mississippi Allstars), Luther Dickinson. The Robinson/Dickinson tandem has probably been the most formidable. Marc Ford also was a strong player during his tenure with the Crowes and interim guitarist Audley Freed (who came between Ford and Dickinson), also did well.
Dickinson's late father Jim was a keyboardist and well known southern roots musician and producer. Dickinson produced the track "Wild Horses" for The Rolling Stones and played piano on it. Luther's brother Cody Dickinson plays drums in the North Mississippi Allstars as well. The Robinson's have also been involved in music for a long time. Their early albums were very raucous, uptempo and yet bluesy affairs while some of their later work ("Warpaint" in 2008 and "Before The Frost"/"Until The Freeze") in 2009, took more song oriented turns. "Warpaint" though is very energetic, especially in the guitar interplay between Robinson and Dickinson.
It should be noted that three keyboard players have also been a part of the band. Early on, Chuck Leavell (legendary organ and piano player who has worked with the Allman Brothers, Eric Clapton, and, The Rolling Stones), anchored the keyboards before their longest serving keyboardist Ed Harsch joined the band in 1992. In 2006, Harsch and Marc Ford were let go from the band for some reason. But, new keyboardist Adam MacDougall (who joined in 2008 for "Warpaint" at the same time as Luther Dickinson), revitalized the band.
Their live shows were pretty incredible. I have seen them in person twice and was impressed both times. They are a true blues/rock band playing a lot of their own songs and covers that aren't too obvious, that they put their own stamp on. They are now on hiatus and it remains to be seen when they'll get back together. But, check out their material. You won't be disappointed with what you hear. Particularly recommended:
"Shake Your Moneymaker" (1990)
"The Southern Harmony & Musical Companion" (1992)
"Amorica" (1994)
"Greatest Hits: A Tribute to a Work In Progress (1990-1999) (2000)
"Warpaint" (2008)
"Before The Frost & Until The Freeze" (2009)
"Croweology" (2010) (a 2 disc record of reworked acoustic and semi electric performances of some of their best known and loved songs).
The Black Crowes will hopefully be a part of the lexicon of rock and roll as a great band, should their career continue after this undisclosed hiatus they are currently on. Fans can only hope that things do continue for the band. They are survivors and their music is testimony to that.
The band blends blues and soul with a healthy dose of influence from British groups like the Rolling Stones and The Faces. Rich Robinson picked up quickly on a guitar style resembling that of Keith Richards and put his own spin on it. But, the band also easily falls into the jam band realm because of their improvisation skills, right up there with their fellow Georgia blues rock pioneers, the Allman Brothers Band. Live, the band can really stretch out and does fall into that "jam band" niche. Although the term "jam band" is kind of a curse or a dirty description in the music biz. Why? I do not know. Anyhow, the Crowes can jam with the best. Robinson has anchored the guitar duties while drummer Steve Gorman has also been in the band for the long run.
Bassist Sven Pipien has been a part of the band through most of their formative years (as they started with another bassist, Johnny Colt). They have had three main guitarists alongside Rich Robinson. Jeff Cease, Marc Ford, and their latest axe slinger (concurrently a member of his own band, The North Mississippi Allstars), Luther Dickinson. The Robinson/Dickinson tandem has probably been the most formidable. Marc Ford also was a strong player during his tenure with the Crowes and interim guitarist Audley Freed (who came between Ford and Dickinson), also did well.
Dickinson's late father Jim was a keyboardist and well known southern roots musician and producer. Dickinson produced the track "Wild Horses" for The Rolling Stones and played piano on it. Luther's brother Cody Dickinson plays drums in the North Mississippi Allstars as well. The Robinson's have also been involved in music for a long time. Their early albums were very raucous, uptempo and yet bluesy affairs while some of their later work ("Warpaint" in 2008 and "Before The Frost"/"Until The Freeze") in 2009, took more song oriented turns. "Warpaint" though is very energetic, especially in the guitar interplay between Robinson and Dickinson.
It should be noted that three keyboard players have also been a part of the band. Early on, Chuck Leavell (legendary organ and piano player who has worked with the Allman Brothers, Eric Clapton, and, The Rolling Stones), anchored the keyboards before their longest serving keyboardist Ed Harsch joined the band in 1992. In 2006, Harsch and Marc Ford were let go from the band for some reason. But, new keyboardist Adam MacDougall (who joined in 2008 for "Warpaint" at the same time as Luther Dickinson), revitalized the band.
Their live shows were pretty incredible. I have seen them in person twice and was impressed both times. They are a true blues/rock band playing a lot of their own songs and covers that aren't too obvious, that they put their own stamp on. They are now on hiatus and it remains to be seen when they'll get back together. But, check out their material. You won't be disappointed with what you hear. Particularly recommended:
"Shake Your Moneymaker" (1990)
"The Southern Harmony & Musical Companion" (1992)
"Amorica" (1994)
"Greatest Hits: A Tribute to a Work In Progress (1990-1999) (2000)
"Warpaint" (2008)
"Before The Frost & Until The Freeze" (2009)
"Croweology" (2010) (a 2 disc record of reworked acoustic and semi electric performances of some of their best known and loved songs).
The Black Crowes will hopefully be a part of the lexicon of rock and roll as a great band, should their career continue after this undisclosed hiatus they are currently on. Fans can only hope that things do continue for the band. They are survivors and their music is testimony to that.
Saturday, October 1, 2011
record collection revisited: Warren Haynes "Man In Motion"
Warren Haynes' latest record ("Man In Motion") is a departure for this great guitarist who is concurrently a member of the Allman Brothers Band, Gov't Mule, and, The Dead (with original Grateful Dead members Bob Weir and Phil Lesh). On "Man In Motion" Haynes revisits his roots which were drawn from southern R&B and soul music he heard in his youth. His phenomenal guitar playing chops are still well represented and strong. Haynes is one of the most soulful guitarists of his generation, and his singing voice matches his guitar playing in a muscular, gritty way.
For "Man In Motion" Haynes assembled a band of A list musicians including Ivan Neville from Dumpstaphunk and the New Orleans Social Club on B3, Clavinet and Wurlitzer electric piano, George Porter (from The Meters) on bass, Ian McLagan (keyboardist from The Faces) on B3 and Wurlitzer, Raymond Weber on drums and Ruthie Foster on backing vocals. Haynes' band also features tenor saxophonist Ron Holloway. Holloway started out with R&B bands and eventually worked his way to playing stints with Gil Scott Heron, Dizzy Gillespie and sitting in with Derek Trucks, Little Feat, Susan Tedeschi and Devon Allman & Honeytribe, over the last decade.
The album is very strong and though at it's core lies soul and R&B music, a lot of the numbers are real rock tunes as well, that have good meat on them both lyrically and sonically. "Man In Motion" is autobiographical for Haynes in a way to be sure. "River's Gonna Rise" has a positive message, advocating change from struggles into triumphs. "Everyday Will Be Like A Holiday" is a soul classic cover originally done by William Bell.
Haynes is a great lyricist as well, writing songs for this album and with Gov't Mule and the Allman Brothers. Writing highlights on this album include the cuts "Man In Motion", "Sick of My Shadow", "On A Real Lonely Night", "Hattiesburg Hustle" and "A Friend To You". For any fans of those bands and of soul music in general, though this album is supercharged, it's worth checking out. The track listing is:
1. Man In Motion
2. River's Gonna Rise
3. Everyday Will Be Like a Holiday
4. Sick of My Shadow
5. Your Wildest Dreams
6. On A Real Lonely Night
7. Hattiesburg Hustle
8. A Friend To You
9. Take a Bullet
10. Save Me
Give the album a listen. It's classic, bluesy soul music at it's best.
For "Man In Motion" Haynes assembled a band of A list musicians including Ivan Neville from Dumpstaphunk and the New Orleans Social Club on B3, Clavinet and Wurlitzer electric piano, George Porter (from The Meters) on bass, Ian McLagan (keyboardist from The Faces) on B3 and Wurlitzer, Raymond Weber on drums and Ruthie Foster on backing vocals. Haynes' band also features tenor saxophonist Ron Holloway. Holloway started out with R&B bands and eventually worked his way to playing stints with Gil Scott Heron, Dizzy Gillespie and sitting in with Derek Trucks, Little Feat, Susan Tedeschi and Devon Allman & Honeytribe, over the last decade.
The album is very strong and though at it's core lies soul and R&B music, a lot of the numbers are real rock tunes as well, that have good meat on them both lyrically and sonically. "Man In Motion" is autobiographical for Haynes in a way to be sure. "River's Gonna Rise" has a positive message, advocating change from struggles into triumphs. "Everyday Will Be Like A Holiday" is a soul classic cover originally done by William Bell.
Haynes is a great lyricist as well, writing songs for this album and with Gov't Mule and the Allman Brothers. Writing highlights on this album include the cuts "Man In Motion", "Sick of My Shadow", "On A Real Lonely Night", "Hattiesburg Hustle" and "A Friend To You". For any fans of those bands and of soul music in general, though this album is supercharged, it's worth checking out. The track listing is:
1. Man In Motion
2. River's Gonna Rise
3. Everyday Will Be Like a Holiday
4. Sick of My Shadow
5. Your Wildest Dreams
6. On A Real Lonely Night
7. Hattiesburg Hustle
8. A Friend To You
9. Take a Bullet
10. Save Me
Give the album a listen. It's classic, bluesy soul music at it's best.
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